Julius Asal - SCRIABIN - SCARLATTI '2024

Tracks list

Tracklist

01. Piano Sonata No. 1 in F Minor, Op. 6: IV. Funebre (Prologue)
02. Keyboard Sonata in F Minor, Kk. 466
03. 24 Préludes, Op. 11: No. 20, Appassionato in C Minor
04. Keyboard Sonata in C Minor, Kk. 56
05. Keyboard Sonata in C Minor, Kk. 58
06. Piano Sonata No. 1 in F Minor, Op. 6: I. Allegro con fuoco
07. Piano Sonata No. 1 in F Minor, Op. 6: II. (Adagio)
08. Piano Sonata No. 1 in F Minor, Op. 6: III. Presto
09. Piano Sonata No. 1 in F Minor, Op. 6: IV. Funebre
10. Keyboard Sonata in F Minor, Kk. 238
11. TRANSITION I
12. 12 Etudes, Op. 8: No. 11 in B-Flat Minor
13. 24 Préludes, Op. 11: No. 21, Andante in B-Flat Major
14. Keyboard Sonata in B-Flat Major, Kk. 544
15. 5 Preludes, Op. 16: No. 4 in E-Flat Minor
16. TRANSITION II
17. 24 Préludes, Op. 11: No. 14, Presto in E-Flat Minor
18. 5 Preludes, Op. 16: No. 1 in B Major
19. 24 Préludes, Op. 11: No. 6, Allegro in B Minor
20. Keyboard Sonata in B Minor, Kk. 87
21. Piano Sonata No.1 in F Minor, Op. 6: IV. Funebre (Epilogue)

Two centuries lie between the two composers Domenico Scarlatti and Alexander
Scriabin. Two lives and eras that could probably not be more different.
Scarlatti was born in Naples at the end of the 17th century and was already one
of the most important representatives of his genre during his lifetime. Scriabin
grew up in Moscow around 1900, where his music reflected not just Russian
modernism but also significant spiritual and philosophical influences. Although
at first glance the two composers seem far apart in terms of style and time,
Julius Asal would lead us to believe that musically, the two are intertwined.

At the age of 27, the young pianist showcases a musical and philosophical depth
that is uncommon in today's landscape. Beyond his exceptional technical skills
and remarkable musical expression, it's his profound artistic insight that sets
Julius Asal apart from his contemporaries and has rightfully garnered him a
contract with Deutsche Grammophon. His dedication to concert and album
programming is central to his success, and this project is no
exception.”You have the chance to create a new context and new
perspectives for a work that has already been played for centuries,”
explains Asal, “so these works can appear in a new light without losing
their own character.”

At the heart of the album lies Scriabin's monumental Piano Sonata No. 1 Op. 6 in
F minor, an early work by the composer that already hints at the richness and
maturity characteristic of his later compositions. Asal complements this
centerpiece with additional pieces by Scriabin, including selections from the 24
Préludes, Op. 11, and the 12 Études, Op. 8. Furthermore, six keyboard
sonatas by Scarlatti are featured, each interpreted with authentic playing that
captures the essence of both periods. However, the unofficial highlight
undoubtedly rests on Asal's two original compositions, TRANSITION I & II, which
seamlessly blend with the rest of the program, accentuating the album's unique
and personal character. A masterly achievement for the young pianist and a
Qobuzissime for us!



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